While the Slim model’s reduced thickness makes it slightly more portable, in reality we’re talking about a difference of a couple of mm on the depth of the playing surface and a few grams lighter overall. The Heavy Hitter is available as two models: Slim or the Stockpad which we’ve chosen as our recommendation. Stick giant Vic Firth’s Heavy Hitter pads were first designed by hand technique guru/drumline monster/educator, Bill Bachman, and a quick glance at any one of Bill’s videos online should be enough to confirm that you’re in good, er, hands with this practice pad. The best drum practice pads available today
In the case of single-sided pads, you’ll need to choose the type of response you’re looking for. The first is designed to replicate the bounce of a tightly-tuned drum head, throwing the stick back quickly after each stroke and will usually produce a dead-sounding thud, great for learning to manipulate the rebound with finger control.įlip the pad over, and you’ll usually have a more cushioned, less responsive side that doesn’t give as much rebound – better suited to developing techniques that don’t rely on utilising rebound (such as your wrists). The playing surfaces usually incorporate a dense, hard rubber surface or softer, less responsive side. At their most basic, practice pads will commonly offer one (single-sided) or two (double-sided) playing surfaces, with a wood or plastic core. The most important is likely to be the playing surface, which will govern how your stick rebounds when you strike the pad, as well as the type of sound you’ll create. Practice pads are relatively simple solutions, but there are a few options for you to decide on.
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How to buy the best drum practice pad for you
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Practice pads are portable, come in different sizes, and have different playing surfaces to adjust your feel, plus the added benefit of being quiet means that you can make the ‘where’ and ‘when’ of your practice time much more flexible. Stay in time with our pick of the best metronomesīy finding the right practice pad for you, and setting it up away from the kit, you can avoid the distraction of breaking from rudimental and technical practice into full-kit playing, meaning that you can set aside dedicated time for working on your stick technique, then take it back to the kit knowing it’s been honed.Best drumsticks: wooden and synthetic drumsticks for all abilities.
Plus, putting in time on a pad allows you to focus on the nuances of these areas for extended periods without the ear fatigue that even a softly-played snare drum could induce. By using a pad, you have the opportunity to develop the more mechanical side of playing the drums – developing control, speed, hand technique and muscle memory for sticking patterns in an arguably more focussed way.
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